We have a release date everyone! Martial Masters Vol. 1 will be available in kindle and print version as of the 1st December 2016, just in time for Christmas. Featuring legends such a Bob Breen, Anthony Pillage, Russell Jarmesty and Andy Norman, Martial Masters provides an insight into their lives and their philosophies and thoughts on martial arts and self defence.
Each interview is unique – funny, harrowing, sad, inspirational and will soon become a must have for anyone with even a passing interest in martiala arts or self defence. Pr-orders will be available in November so reserve yours now!
It’s been a long road to get it to publishing but we’re there and can’t wait to have it in our hands, ready to share with you guys!
As always thank you for the support and hope you’re all excited to read this book! I had an awesome time interviewing everyone for it, hope you have an awesome time reading about it too!
Check out our piece in Martial Arts Guardians soon!
Today we have a fantastic guest post from a good friend of mine with a rich history in Martial Arts. Declan Lestat runs Aikido Shugyokan in Minnesota as well as holding black belts in Kung Fu & Kickboxing and is a JKD instructor. Here he writes a great article on why exactly we train in martial arts! Hope you enjoy!
Let me ask you a question. It’s a question that, if you’ve been in the martial arts for any period of time, you’ve probably been asked or pondered over countless times.
Why do you train in the martial arts?
You may have more than one answer, maybe it changes over time (Like mine does). Maybe your answer is vague and only you would really get it. Maybe you don’t even know.
Here’s another question, this one a bit tougher but quicker to answer.
Why do I train in the martial arts?
Maybe I train for street fighting. Maybe I want to compete. Maybe I’m of an age and level of experience where I don’t need to train formally in self defense so I attend classes for other reasons like fitness, stress relief, interest in other cultures. Maybe I want to make friends. Maybe I’ve been training so long it’s just a habit now. There’s even a chance I train because *gasp* It’s fun!
I know exactly why I train, but the point is that anybody else – obviously – couldn’t possibly have a clue. And of course, I don’t really know why you train. I could maybe guess, but I don’t know for sure.
The other day, somebody I’d never met and didn’t know and never had any contact with before or since, commented on a video I shared: “Aikido is ineffective. For self defense learn wrestling.”
Like I’d asked him.
But to be fair, he’s far from unique. Post anything on Facebook or click on any clip on YouTube and you’ll find similar comments, though many not as polite. The comments are usually from people who don’t understand what they’re even watching, thinking chi sau or randori are being presented as actual examples of “street effective” technique and not as what they actually are – exercises. They’re no more street effective as push ups or squats, but no less important. And don’t get me started on the morons who rant about a clips obviously filmed for entertainment or demonstration purposes.
Still, my critic made a major mistake in assuming that a: The clip was supposed to represent a self defense technique (It wasn’t), b: That I don’t know what does and doesn’t “work” in the street, and c: That I train for the same reasons as he does.
But from the point of view of a practitioner of, say, MMA, Aikido is indeed ineffective. I know this, because many of their proponents aren’t too shy about telling you this on YouTube. Unfortunately for them, I don’t train Aikido for self defense. I train in Aikido for personal growth reasons. Thanks to Aikido, I have greater respect for all people (Which is why I held back on responding to this guy’s comments), humility, empathy, mindfulness, self control… So when I look at an MMA champion like Conor McGregor, I’d have to say MMA is ineffective.
But then again, what is “Street effective”? 2 minutes on YouTube will reveal thousands of clips to make you think. I found one of a BJJ guy taking down a boxer, but just when I was thinking I should train BJJ for self defense, I found another clip of a boxer defeating a BJJ guy. One of my best friends has had precisely zero martial arts training and I’ve never seen him lose a fight (And I’ve witness many!) so maybe we’re all wasting our time.
Then again, growing up in, at the time one of the most violent cities in Europe, working private security, managing city center pubs, and sheer bad luck had given me the chance to experience a lot of nasty situations close up. And even though I have multiple black belts and decades of training, on the relatively few occasions when I was too unlucky/stupid to control a confrontation enough to prevent it becoming physical, guess which system has kept me safe? Guess which martial art has put down the bad guy for me every time?
Aikido. And here’s me saying I don’t train in Aikido for self defense!
So is Aikido effective then? I wouldn’t say that. I would say that on those occasions when I had to defend myself I did so successfully, and that’s all I could say. If I’d used boxing or Muay Thai or Judo, the same would apply. It’s not the style that was effective. It was the fighter. More accurately, it was the fighter on those specific occasions. Was I just lucky? Don’t care. Could I defend myself successfully again? Possibly. Would I use Aikido again? Couldn’t say. Every situation is different. I could beat Mike Tyson tomorrow, walk around the corner and get mugged by a 14 year old. There’s not many things in the world as random and unpredictable as a street fight, after all.
This doesn’t apply to the obvious charlatans, of course. If someone posts a “Street lethal self defense techniques” comprising of ballroom dancing, then you may be inclined to offer a correction if you have the expertise. That’s a stated promise that fails to deliver.
We may not like what someone trains in but here’s the good news for us: Our approval isn’t required. To criticize an art or practitioner for nothing more than it doesn’t meet your personal training objectives isn’t worthy of a martial artist of any style. Minds are not changed with ridicule or fault finding, nobody has ever said “Wow, I totally thought I was training traditional Karate to be a lethal Jason Bourne style street assassin. The last 15 years have been a complete waste of time, I’m heading straight down to my local Gracie academy to sort my life out!” thanks to some chump on YouTube who probably doesn’t train seriously in any style, let alone a “street effective” one.
But together, with support and a little understanding, we may not change minds but we can maybe broaden minds on both sides of the debate. I think the reality and sport based arts could have a lot to learn from the more traditional arts as well as vice versa.
And a little unity in our community has to be a good thing.
Here we interview Kenji DuBois Lee, main man responsible for bringing the Jacques Payet Project to life. Jacques Payet is a 7th degree black belt in Yoshinkan Aikido and was live-in student of Yoshinkan founder Gozo Shioda for many years. As a westerner in Japan, Payet Sensei was able to build a close relationship with Shioda Kancho and wasn’t as bound by the rules of the student-teacher relationship and so was able to form a close bond with Kancho Sensei, gaining many insights in to the man and his powerful form of Aikido. Payet Shihan now teaches around the world and is revered by many as one of the top Yoshinkan Instructors in the world. He also recently graded me to 3rd Dan and is a thoroughly nice guy! Here’s the interview!
Hey Kenji thanks for interview, what is your background?
I have been living in Japan for nearly 7 years, making short films for the past 4. I like to consider myself a Self University graduate seeing as I pick up tricks of the trade mainly through online tutorials and real life trial and error. I shoot, write, and edit wedding, promotional, and business videos for a living. I’m happily married to the world’s most amazing woman who brings me happiness everyday. My interests include hanging out with creative action-takers, beaches, mountains, and soccer.
How did the JP Project initially come about?
One day a good friend of mine, Izzy, told me, “Dude, I’m gonna move to Kyoto and dedicate my life to aikido: intensive training 6 hours a day 5 days a week for a year.” After that year, he did it again! Over the years I watched as Izzy transformed.
Physically, he made me feel like a slob for not having a six pack and waking up after sunrise, but he also went through a rather impressive internal transformation. His business boomed, spirituality deepened, and even with the newly acquired bulge on his knee resulting from hours on the tatami mat, he was constantly exploring the boundary of possibility.
Because I was the video man for his business I spent a lot of time filming him, listening to his ideas, discoveries, and interpretations of a purpose-driven life. Purpose – which Izzy seemed to find loads of in the dojo – was taking a stronger grip on my life as well. Inevitably we spent many conversations exploring the overlap of martial arts principles and everyday life.
As you might have guessed by now, Izzy was training at Kyoto’s Mugenjuku Aikido dojo under the instruction of 7th degree instructor Jacques Payet, who, as Izzy pointed out to me in one of these conversations, “has an amazing life story that would inspire the sh*t out of you.”
Thus the stage was set for me to enter the dojo and meet the man himself.
My first time in Kyoto Mugenjuku dojo was for a 5 day shoot where I produced a short film highlighting the dojo’s Kenshusei program. This short film was well received by Jacques Payet and the international community.
A year later, Izzy, Jacques Payet and I sat down for some coffee in a small cafe across the street from the dojo. This was when Jacques Payet told me about his journey of becoming a 7th degree master, and what his hopes are for the future.
We came to the conclusion that film is a very effective tool to reach the masses. With the unforeseen success of the Kenshusei short film, we decided to implement this tool once again, this time to deliver Jacques Payet’s life story. The desired outcome being a wave of inspired and purpose-driven youth across the globe.
What was it that made you think JP would be a great choice for the project?
From my understanding, in aikido there is a push and pull between what I control and what I don’t. Even though the extent of what I control has a limit, if I am committed and effective enough I can use these outside forces and be part of something amazing and far more powerful than anything I could do alone.
This project is the perfect example of such forces combining. The timing, the people involved, the city I moved to, all these outside forces were staring me in the face like, “C’mon man! This opportunity is right here, right now. So what are you gonna do about it?!”
So I committed.
Now as for why I think Jacques Payet would be a great subject for this documentary film project.
Yes, Jacques Payet overcame challenges, accumulated accolades, and gained the respect of the martial arts community around the world. Yet, the even more significant part of this project isn’t exactly his life.
What strikes me is how so many young adults are taking the same journey a young Jacques Payet did and how even more people are stepping into their own journey.
The important thing to note is their journey.
Jacques Payet is blazing an amazing trail but it’s not as if he wants others to follow him. Rather, he wants to see others fully commit to blazing their own trails.
He wants you to feel alive – not just to go through routine, tradition, and necessities – but to truly feel alive, by finding your own path, committing to it, and embracing the discoveries along the way.
In this sense, this documentary project came to be because of the inspirational power Jacques Payet’s journey has, as well as me choosing to step up to my own.
Just after my 3rd Dan test
What do you hope will be achieved through the project?
In a word: empowerment.
Personally, I’m finding so much happiness blazing my own trail in this part of my life right now. I’m 29, well-travelled, blessed with an amazing wife, ridiculously supportive family, and talented friends around the world. When I told them, “Hey, I’m gonna make my first feature length documentary film” I was met with mixed responses. To be completely honest, I had no clue how I’d do it, who’d help me, where I’d get the resources, and I began to hear that all-too-common voice of doubt. I had a long list of reasons to give up – worse yet – not even try.
But as fate would have it, the subject of my very first feature length documentary is an aikido master.
And like any master will say, to master anything requires doing what’s difficult, uncertain, and often unrealistic, just out of reach.
So for me as a filmmaker, I hope to stretch my filmmaking career by learning as much as possible while I take these steps into the unknown. Even though I had been shooting and editing for years before this project started, I had never tried launching a crowdfunding campaign. I had never built a production team. I had never drafted an official request for funds. I had never made a pitch to influencers. I had never spoken with a bona fide producer about confidential private placement memorandum documents. I had never consulted with a campaigning agency. Now, even though we’re still in pre-production, I can happily say I’ve done all of these things and learned so much along the way. Image what I’ll have learned by the time we’re in post-production!
Most importantly, I know that there will always be more to learn. I know this because 7th degree aikido master Jacques Payet told me, “Of course I still learn new things everyday. It’s neverending. It’s for life.”
Even a master continues to learn.
Hence the name of Jacques Payet’s dojo ‘mugenjuku’ which can be translated as ‘never ending training.’ He instills this principle in his students and it is one of the messages I hope to share with the JP audience.
Simply put, whatever you want requires endless effort.
This process – endless effort – uncovers possibilities that are buried within ourselves which surface in the face of adversity. The more and more possibilities come to the surface, the more and more empowered we become.
Jacques Payet personifies this. Ultimately I hope to use his life story as a mirror so the JP audience can start finding possibilities within their own lives.
And if someone was making a documentary of me making this documentary I would hope that audience feel empowered as well! They would watch as an aspiring filmmaker makes his debut feature project about a martial arts master. Unexpectedly the young filmmaker begins to connect martial arts principles to his own life, in turn applying them to filmmaking, and begins blazing a new path in the world of cinema.
See, I wasn’t even able to articulate this a year ago!
How far is the project in development?
We’re in pre-production. We’ve done extensive research on what production level we can take JP to depending on how much monies we raise. We’ve spent even more time writing and editing the story of JP, again, to different degrees depending on the monies raised which will directly influence the scope of the film.
JP has taken multiple forms and been through so many changes since we committed to it back in November 2014. But I firmly believe these changes polished JP into what it is today.
Now we are in the funding phase of the project. Arguably the most important. Undeniably the most suspenseful!
When will the project be released?
I hate this question. lol
Once we finish the funding phase we’ll have a far better estimate of the release date. But I know this is important, especially when we’re receiving monetary contributions from supporters worldwide.
At this point, we are expecting to release in spring 2016.
We’d like to enter JP into film festivals in France, Japan and the United States.
What will the project focus on? Yoshinkan Aikido? Jacques Payet’s life?
The original title of this film was Aikido Is Life. The change was made to JP to put more focus on Jacques Payet and his relationship with Japan.
This film will focus on the overlap between martial arts and life within the context of aikido master Jacques Payet’s
3-decade journey to become a master.
How can people get involved with the project?
Make a contribution to our Indiegogo Campaign!
Rub elbows with big-timer producers? Contact us!
Ask 5 friends to pitch in on a group contribution!
Are you a musical genie who can whip up amazing scores for film? Contact us!
Become a sponsor by supplying our production team with transportation in Japan and/or Reunion Island!
Got access to gear in Japan and/or Reunion Island? Contact us!
Speak French, Japanese, and/or Russian and want to build up your resume as a translator? Contact us!
Got a private jet with room for a few filmmakers? Contact us!
Wanna support JP but not by contributing money? Contact us!
Know someone somewhere who should be involved in JP? Contact them!
Where can we keep up to date with the latest news regarding the project?
The best place is over at the JP Indiegogo Campaign page: igg.me/at/jp-film
You can also keep up with us on our social media outlets listed below.
Be honest with yourself, are you an expert in self defence or martial arts? In the age of digital media and knowledge at our fingertips, more and more so called experts are coming out of the woodwork, giving “expert” advice on martial arts, self defence and combat sports in general. There is a whole host of information out there on fighting styles, legality of self defence and mixed martial arts take-downs and submissions and with one google search you can find out what you can legally do to defend yourself, how to choke someone out, and how to throw a half decent left hook. The problem comes when they then think they can argue and advise people who have been out pioneering and testing this stuff in real life for decades!
Anyone can say and post anything on the internet, and this is especially the case in martial arts. A YouTube search of `Martial Arts` will bring up millions of results, some great, some fricking awful but all with someone’s own interpretation of self defence, martial arts or combat sports. When this interpretation is based on experience, knowledge, blood, sweat and tears, fantastic, we need people to push the boundaries and evolve with the times. When this interpretation is based on a few books bought on eBay, and a few hours spent watching some MMA highlights, the interpretation lacks some credibility. What seems funny is that it is often the ones with the least real life experience of training or fighting, that seem most vocal in their interpretation of it, probably due to the fact they overestimate their own ability and the genuine skill and depth of knowledge from others.
Martial arts and self defence require years of study. You learn the basics, you explore the techniques, you make the techniques your own, keeping the principles from the basics. You then interpret the techniques, expand or narrow them down and then teach to others. It seems sometimes people tend to go step 1 to teaching others straight away, posting videos, advertising events and claiming expert level knowledge. Anyone can write a book on a subject. Anyone can teach a class on a subject. All it takes is a bit of research. What makes the difference is the interaction with the students and the way it is presented however. The individual knowing only the basics will be narrow in their approach, teaching a few techniques or principles and that’s it. There will be no individual feedback, no scenario training, no allowances for different sizes or strengths, no question and answer session. The knowledge will be one dimensional and lack substance. The only people who will learn from this is those who know less than you. Put up against someone with some knowledge and you’re in a proverbial creek without a paddle.
Too much information is available today especially in the case of martial arts, many of which have long traditions, cultures and principles that can’t be learnt in a matter of weeks. Looking at the source of the information is crucial. What’s their background? Do they claim to hold a 12th degree black belt in 72 different styles of killer Kung Fu and once kicked Chuck Norris in the face? If so, call bullshit. This type of filtering down of the arts dilutes the whole process and lowers the bar for all involved to the point where you get 4th degree black belts who couldn’t punch their way out of a paper bag. Loads of people know wayyyy more about martial arts and self defence than I do and when they speak, I shut up and pay attention. They are the ones who keep quiet and wait to be asked their opinion on a topic, not jump at the first opportunity to prove their knowledge and skill. They are the ones who offer a range of answers for a particular question, never black and white answers.
They are the ones worth learning from and dedicating your time and efforts to.
MAUnity will be launching soon. It will showcase these people. These people who are experts in their field and have tried and tested their methods. It will be a webshow with a different style of the week each week showcasing a style of martial art of self defence, along with background and clips. It will include reviews, expert tutorials, interviews and anything else we can think of along the way! It’s taking a lot of work to get PERFECT so bear with us but it will be here. The Martial View will become MAUnity in the hope of being a place of genuine knowledge for sport, self defence and traditional martial arts. I’ll be the host, which I apologize for as I have a face made for radio, but the content will be great with some top quality martial artists and self defence instructors already on board. It’s coming!
So in the sporting world we have the FIFAs, the PGAs, the NFLs, the mainstream, massively funded and massively fan based sports. The closest equivalent to this in the martial arts is arguably the UFC and I think its fair to say that MMA is getting bigger and bigger on a global scale, with more and more people becoming interested in both training and spectating mixed martial arts. Should the martial arts be more mainstream however? There are obviously plus and minuses for both sides of the argument and I think it’s an interesting debate topic.
Let’s imagine the martial arts were MASSIVE, I’m talking football, rugby etc massive. Football wouldn’t be the main option in schools for children, you wouldn’t go down to the local park to kick a football around, you’d go down to the local gym and kick a punchbag around. This sounds great yeah, the martial arts as a mainstream skill or sport? I agree it does, and I want martial arts to be a bigger thing within society for the discipline, fitness and confidence that they can instill in people, especially children, however if this were the case would it make the martial arts less special?
Imagine there was a massive governing body for the martial arts, the FIFA of the martial arts world. Again, would this lead to more problems? I’ve discussed before the prevalence of politics in the martial arts (Here’s a past article) and how ego can often get in the way of the simple formula of fantastic people, fantastic training and fantastic development and progression. Get this right and I think you’re on to a winner in the martial arts. The emergence of a massive governing body for the martial arts will bring forth its own problems and as the old saying goes, where there’s people, there’s politics. How long before standards start slipping, people start falling out, and more and more McDojos pop up offering online course black belts and guaranteed success in self protection, all due to mainstreaming? Newsflash, there is no guarantee when it comes to self protection, and black belt requires hard work, dedication and sweat, not the watching of various online videos with the promise of black belt bad-assery at the end.
Even as martial arts are at the moment, there are enough egos needing to be massaged, falling’s out over trivial matters and frankly ridiculous and awful examples of self protection, that are not only misleading but frankly dangerous! Would martial arts becoming more mainstream improve or increase this? Is there any full proof way of ensuring quality and quantity in the martial arts?
I think we can all agree that we live in a technological age. An age where videos of cats go viral and takeaway food can be ordered to your home in a few simple clicks. But what does this mean for the martial arts? Type in martial arts on YouTube, the second biggest search engine after Google, and you get roughly 1,220,000 results. Wow, that’s a lot of martial arts action. Is this a good thing or a bad thing however? YouTube can be great in a number of ways for the martial arts, but as with most things, there are also a few drawbacks to martial arts and its YouTube audience.
Let’s start with the positive. Most obviously, it’s a massively awesome resource for getting your content out there. Whether it’s through advertising your school by releasing promo videos or training clips, it can easily get seen by a wide range of people, meaning your school, your art and you get put out there into the world of cyberspace! This can lead to a great following, increased students and great networking opportunities. Secondly it can be a great resource for finding out about different styles. You decide to try a new martial art out down the road but have no idea what it is. A quick YouTube search will give you video clips on it and help you gain more of an understanding about whether it is for you. Basically YouTube is a wicked tool for getting information out there to the masses in terms of martial arts and creating a great network if done right.
Getting content out there is great, but it has to be great content and let’s face it, there’s a whole lot of crap out there too. Someone knowing nothing about the martial arts decides to type martial arts in on YouTube and the first video they decide to watch is idiots getting knocked out by someone looking at them (see the clip below at 1 minute 10 and prepare to be blown away…), or watching some weird Mortal Kombat stuff that looks great on TV and Film but will pretty rapidly get you an arse kicking in real life. It can be off putting to people who have no experience of martial arts.
Linking with this, there are the cyber keyboard warriors. Whenever you post something online, it’s pretty much fair game for people to comment both positive and negative. I’ve found this even with The Martial View. People see what you’re doing, either like it and feel threatened, or don’t like it and feel threatened, then decide to go trolling! Look on any YouTube video of any martial art or martial artist and they’ll be a fair few comments from people saying how the stuff looks fake, or it’ll never really work, or that martial arts are all white pajamas, loud shouting and smashing the contents of B&Q up with your fists and legs. Now granted these keyboard warriors are probably spotty computer nerds who have never stepped on the mats in their life but they can still a hindrance, especially in a field such as martial arts.
Finally, there is such a wealth of information out there on YouTube at the moment in respect to the martial arts, that some people may not even think it’s necessary to join a school or get an instructor. Type in `right hook` on YouTube, they’ll be thousands of tutorials showing how to throw a right hook, similarly type in `choke defence`, they’ll be the same, some good, some frankly awful. Part of the fun of martial arts training is the social aspect, you meet new people, train with a partner, make new friends and join in the martial arts community in order to develop yourself. Pretty hard to do that when you sit punching a bag in your living room thinking you’ve nailed the jab, cross and can defend against grabs, punches and chokes while your long suffering (but gone viral) cat looks on. Martial arts are physical and technical and no amount of online training or video is going to beat going to an academy, getting a decent instructor and getting training.
YouTube can be an awesome resource for the martial arts, as long as it’s used correctly and as long as we don’t become completely obsessed with the digital age. This is not The Matrix, you are NOT Neo and can’t have Jiu-Jitsu plugged into your brain so you’re a master at it in a few minutes……cool as that would be…. Getting good at any martial art requires physical ability as well as dedication and having a great instructor, and unfortunately, YouTube is not a great instructor for the martial arts!
I’m sure everyone who does Aikido can relate to the fact that Jiyu Waza takes a special kind of fitness! I like to consider myself a fairly fit guy but after a few rounds of Jiyu Waza I’m pretty tired! I’ve known long distance runners, gymnasts and athletes be tired after one or two rounds! So what makes Jiyu Waza so tiring and how can we improve our endurance?
Firstly there’s the fact that it takes a certain kind of cardio-vascular endurance! You attack, get thrown, spring up and attack again. It’s dynamic, its athletic, and its tiring! Secondly there’s impact. Impact takes it out of you. You get thrown hard and the body tenses in order to prepare for the impact. You don’t breath correctly, you tense up in anticipation of the fall. You hold your breath as you meet the floor. You get tired! Thirdly, its not just tiring for the one receiving the fall, its tiring for the one applying the techniques! A difficult, stiff and inexperienced partner can make you tense and it can feel like throwing a sack of potatoes if the partner can’t yet fall correctly. Again this leads to fatigue! So what can we do about it?!
5 – Overall Fitness
This is pretty much a given, if you’re in reasonably good shape and have good muscular endurance as well as cardiovascular endurance, this is obviously going to help your jiyu waza! High intensity training where sprints are followed by periods of low intensity exercise are shown to be extremely effective in increasing cardio relatively quickly and is more effective than just running for miles and miles in terms of jiyu waza and martial arts in general. Jiyu waza is fast, dynamic and high intensity. Self defence situations are fast, dynamic and high intensity.
4 – Ukemi
Get comfortable falling. Simple as that, get comfortable falling for back falls, front falls, side falls, weird and wonderful angled falls. Just get comfortable falling. The more comfortable you are falling, the more your body will relax on the impact and the less fatigued you will become in both cardio and muscular.
3 – Know your techniques
Get comfortable practicing different techniques to use during jiyu waza and just repeatedly practice until you have a good “set list” of techniques at your disposal. The more comfortable with techniques, again the more relaxed you will be and the more you can focus on things like breathing, not trying to think of a technique to do!
2 – Breath!!
We’re all guilty of it. We tense up and we forget to breath! As Robert Mustard Shihan is fond of saying, its a well known secret of the martial arts that if you don’t breath, you die! Establish a pattern of breathing in through the nose and out through the mouth and you will notice an improvement in your endurance almost immediately in comparison to erratic breathing when you are panicking and tense.
1 – PRACTICE
So how do we get comfortable doing all these things?! Practice! Do rounds of jiyu waza, building up slowly as both the receiver and the thrower! Think about your breathing, the techniques you will use and the correct way to fall properly. Get a good training partner who wants to improve their jiyu waza too and get practicing. Enjoy!!
Aikido stances are a bit odd. I’ll be honest. I’ve studied boxing, MMA, KFM and other self defence systems and the idea has always been the heel of your back foot has always been up. Look at boxers, their heel is very rarely on the floor. Yet in Aikido, we are encouraged to keep our heel on the floor. Why? The principle is sound. The more contact you have with the floor, the more stable you are and to me this makes sense. But from a power and striking and movement perspective, I struggle!
Movement and speed to me has always been the key to my martial arts training. I’m the average size of an oompa loompa, but by god I’m quick and that has always been my advantage, whether it has been doing martial arts or playing rugby for the school team, I’ve been rapid. Having my heel on the floor all the time as Yoshinkan Aikido dictates slows me down slightly. When we look at the basic techniques however, the heel is always down in order to secure stability and employ maximum power through the hips.
The Yoshinkan stance when teaching a beginner is fairly simple; If we were looking at migi hamni kamae (right stance) the right foot would step forward about a pace, with the front (right) foot turning to about 2 o’clock on a clock face. The back foot would be at about 10 o’clock with the heel down. 60% of the weight would be distributed to the front foot, 40% on the back foot. The top hand (right) would be about chest level with fingers splayed out, and the bottom hand would be about belt level, again, fingers splayed out. This is the basic Yoshinkan posture as outlined below.
However, from the numerous high ranking instructors I’ve learnt from. Kamae is more a state of mind. The posture allows you to find you centre, see where you are strong, and once you have this, it doesn’t matter how you stand, you have this strength as you know where your power lies. Kamae is simple a physical form of the mental state of your mind. When you enter kamae, everything at that point should be focussed on your partner. The mind and body unite and you focus completely on the what you are doing. When you reach a high level, the physical form doesn’t matter that much, its the mental state and the fact that you know where you are strong and where your centre is that is important. This to me is the essence of Kamae, please feel free to disagree 🙂
Having a great training partner can make your training more efficient, effective and fun! However having a sloppy training partner can have the opposite effect and be a real drain both physically and mentally when you’re training. The need to be the best partner you can is needed regardless of whether you are practicing a traditional martial art, a sport martial art, or a reality based martial art, and so is a crucial stage in the development of your martial arts training. There’s a few little tricks and tips below that will make you a better training partner so give them a go and see if they work!
1) Communication in training!
Communication is absolute key when you’re training. Communication with your partner, communication with your instructor and communication with the people training around you. Poor communication can lead to really poor training as well as accidents on the mat. Having good communication with the people you’re training with can not only improve your technique but can also lead to a safer learning environment. So communicate!! Ask questions, asks how techniques feel, ask if you’re holding the pads at the right height or the right angle, see if you can do anything to improve your partners technique. This will not only improve your own technique but also the technique of your partner, leading to a step up in skill for the whole class!
2) Relax in training!
I’m sure we all know that there’s nothing worse than a partner who acts like a surfboard with arms. Sometimes it makes it easier to do the techniques as they’ve already locked themselves up, but it’s annoying and feels like you’re just partnering a brick! Relaxation is also key to preventing injuries. The injuries I’ve seen happen during martial arts training have been when someone has tensed up during a technique or panicked and locked themselves up, leading to tweeked or broken shoulders, wrists etc. So try and relax for your partner, it makes it easier for them to see where the technique goes when you’re working together and prevents you getting injured. If you’re going to resist, fight back or train in a more realistic scenario, make sure its agreed upon with your partner through the tip above….COMMUNICATION!
3) Improve your own technique
One of the best ways to be a good partner is to be a good martial artist in general and be able to do the punch, kick, throw, pin etc. competently yourself. If you yourself can do the technique, you know how it is meant to feel and so can receive the punch, kick, throw, pin etc better as well as giving tips and pointers for your partner through COMMUNICATION. If you know how the technique is meant to go, you can RELAX more as there’s no surprises and you know where you are going, leading to a better technique for your partner and less chance of injury for yourself.
Being a good partner is part and parcel of being a good martial artist. It can prevent injuries and through being a good partner you can also improve your own technique. So communicate more, relax when you’re working with your partner and make sure you yourself know the techniques and have a strong foundation of training!! If you enjoyed the article please, as always share, like, comment and subscribe 🙂
The Man Behind The Fence – Geoff Thompson Interview Part 3
In the third and final part of an interview with Geoff Thompson, Geoff discusses his current projects, as well as his thoughts on personal development and plans for the future. Part 1 and 2 of the interview can be found here and here.
So what would you say is your main focus now? Is it the martial arts, the writing, the screen plays, the self help? Or is it all the same in the end?
It’s all the same really; everything I do is just about personal development. All the writing and screen plays are storytelling, that’s what I do, I go out and tell stories and help to heal people through telling stories and then it heals me too. It’s all martial arts at a high level; it’s all budo, being of service to the world and being of service to yourself. I’m trying to fine tune the story-telling so it focusses on this kind of thing – interviews, keynote speaking, writing, screenplays and a bit of martial arts teaching too which is just purely movement and `misogi`. All the elements fall back into the same theme of storytelling. If you see someone down and out sleeping on the street, it’s due to the fact that they heard the wrong story and are unconsciously acting and surrendering to that story. Equally you could go to Mayfair and see someone turning over half a billion a year and running a philanthropic enterprise he’s there due to another story, a better story. Our stories are powerful it’s who we are, so our duty is to tell stories of truth and as you grow, your stories change. My story as a doorman was one of violence, it’s not the same now, and I keep evolving. As Ghandi said, our job is not to be consistent with the past, it is to be consistent with the truth, and the truth keeps changing as we evolve. It all comes back to personal development but at a higher and finer level.
Ok, let’s talk about the pure function course; is this a development of the 100 hour master class course you have previously run?
It’s come from the master class and black belt course; it’s a combination of them and my self-sovereignty course, it’s a combination of philosophy, movement and internal exercises. This is course which has grown organically through all the other courses I have run, some martial arts, some esoteric and some storytelling such as keynote speaking. This one brings it all together because we need all of them to make pure exchanges of energy in life. If I can teach someone to throw the perfect right cross and make a pure exchange of energy when I throw that technique, that perfection can become the template for everything, the template for a better life, a better body, a better relationship or business. If we master one thing we master all things. Once we understand that all human endeavour is about the exchange of energy – money/health/relationships – we can concentrate on making those exchange as pure as possible Everywhere you go you can exchange pure energy with people, sometimes money exchanges, sometimes knowledge or information exchanges. So the course has evolved over a number of years.
There’s a dynamic formed in group work where people ask questions, things come up and things are drawn out of people that seem peripheral to the course, but they’re due to the course as it is designed to encourage and nurture the highest potential. It’s a 6 month course and people have to attend all 6 sessions.
Ok! Finally, what’s on the cards for the next year, 2 years, 10 years etc?
I’ve been working a lot in Theatres recently, again telling stories to a high level. I’ve just recently been doing some work at the National Theatre developing a stage play. We’ve just finished a film called `The Pyramid Texts` which is a discourse on fear. `Fragile` – another stage play I’ve written – has just finished an acclaimed run in Edinburgh and is coming to London next year. That’s a great example of internal enquiry, misogi (cleaning) or budo, it is basically me writing about the trauma and abuse I experienced as a child and the aftermath. It is a very visceral play, it has a weird effect on people and is very powerful. Reviewers give it 5 stars, but then say we don’t recommend you go and see it, this should have a health warning (laughs). It’s basically me, getting an actor in a room and acting out my demons through a story and then allowing 50-100 audience members each night help me to clean it. Abuse is a possession and when we forgive and when we write honestly about our trauma, it cleans it, it’s an exorcism of old cognitions and beliefs.
We’ve just finished a film beautiful film called `The 20 Minute Film Pitch` and I am now working on a film called `Romans` with Ray Winstone, which is feature version of my short film Romans 12;20. All the projects are storytelling, using honest narratives to help other people to change their story. Films and theatre are very important and need to ensure they stay funded as storytelling is such an intrinsic part of our genetic makeup and can really change people’s perceptions.